The Marcus Undergraduate Research Fellowship
The Marcus Undergraduate Research Fellowship award supports research and creative activity conducted by undergraduate students in partnership with a faculty mentor. Recipients of the Marcus Fellowship will be part of a cohort of fellows engaged in programming that supports research throughout the course of the fellowship. This fellowship opportunity is aimed at undergraduates interested in working closely with a faculty member to develop, complete and present a research project. Applications for 2027–2028 will open in Spring 2027.
Fellowship Overview
Deadline for submission: To be announced.
Award amount: $4,000 ($3,000 to student, $1,000 to faculty mentor)
Timeline: Awardees are typically notified by the end of the spring semester. The Marcus Fellowship begins in the following fall and extends through spring of the following year.
Submit an Application
Students from a broad range of backgrounds and experiences are encouraged to apply. These fellowships aim to enrich student learning rather than to reward past performance.
Requirements and Expectations
Student Eligibility
- Students must be declared undergraduate majors in the College of Liberal & Creative Arts. LCA minors can apply if their project is housed in the LCA and their mentor is an LCA faculty. Priority will be given to LCA majors.
- Student must be enrolled during both the fall and spring semesters of the awarded academic year.
- Students must not be studying abroad in 2026-27.
Faculty Eligibility
- The faculty mentor should be a tenured or tenure-track full-time faculty member in the College of Liberal & Creative Arts.
- The faculty mentor must commit to mentorship of the student fellow across a range of research or creative activities relevant to their discipline including project development and presentation of results.
- The faculty mentor must commit to meeting weekly or biweekly with the student.
Project Requirements and Expectations
Receiving Units
- Projects may be in conjunction with or independent of existing, scheduled coursework
- If independent, then the project may lead to course credits (e.g., 699 units)
- If in conjunction with a course then the project must involve significant activity beyond the course requirements
All recipients of the Marcus Fellowship are expected to participate in the following activities
- Periodic meetings among the Marcus Fellows, faculty mentors, and program coordinator.
- An orientation / opening reception at the beginning of the Fall 2026 semester.
- An outreach event to connect with potential future applicants.
- A recognition event near the end of the 2026-2027 academic year.
Deliverables
- Student recipients are expected to attend at least one conference to present their work; this may be a student research conference such as the LCA Undergraduate Research Showcase, or the student section of a professional conference.
- At the end of the spring semester, the fellows are expected to submit a report (1000 words) summarizing their year-long project, and all other materials that pertain to their work, i.e. a paper, portfolio, etc.
Proposal
Preparing a Proposal
- Interested students should approach a faculty member with a project in mind and ask whether the faculty member is willing to serve a mentor for the project. Students should provide the faculty member with this document at the first meeting.
- The student, under the guidance and supervision of the faculty mentor, will prepare the proposal for submission. Keep in mind that proposals may take several weeks to develop and complete.
Components of the Proposal
The PDF document containing the research proposal will be written in Times 12 font, single-spaced, and with one-inch margins. The document should contain the following parts labeled according to the print in bold:
- Title of the Project: The title of the project should describe the project succinctly.
- Research Question or Project Goal: (1 sentence)
- Abstract: (100-150 words)
- Personal Statement: This section includes the student’s academic interests and goals, the way in which receiving the grant would help advance those goals, and any personal information the student and faculty mentor think would be useful to convey to the review committee. Students should make sure to articulate how the Fellowship is necessary for the execution of the project (maximum 500 words).
- Project Proposal Narrative: In this section, the student introduces the project, states the research question, describes the methods that will be used, and explains the value of the project (maximum 1,000 words).
- Timeline: This section provides a proposed timeline for the project from beginning to end, including mentor meetings, tasks associated with the project, and completion dates for the various activities. (maximum 1 page)
- Bibliography (optional): Provide a list of sources referenced in the proposal in the format and style expected in your discipline.
- Unofficial Transcript: For SFSU coursework only.
- Course Status: Is the project independent or part of a course? (If yes, then in one paragraph identify all of the activities that are beyond the course requirements)
- Faculty Statement: This section is prepared by the faculty mentor and explains the merits of the project, the likelihood the project can be completed in the timeline provided, describes the mentoring plan (e.g., frequency of meetings), and other information the faculty member thinks reviewers might find helpful (maximum 500 words)
- Overall quality and clarity of the proposal
- Realistic scope of the project and likelihood of completion
- Potential impact on student, the value of personal outcomes
- Motivation and alignment with student's personal goals and development
- Clear evidence of a student-initiated project
- Level of faculty collaboration, as described in the timeline and faculty statement
- Student preparation, evidence of the training necessary to conduct the activity
- Shows familiarity with the relevant literature or discipline-specific practices
- Attention to/awareness of contribution of proposal to their field
- Does the project fit the award: “supports research and creative activity conducted by undergraduate students in partnership with a faculty mentor.”
- Demonstration of need for the Fellowship
- How is this project outside regular academic pursuits
Marcus Research Fellowship Grant: Current and Past Winners
| Year | Title | Fellow | Department/School | Mentor |
|---|---|---|---|---|
| 2027 – 2028 | The Cycle of Black Creatives | Eliza Arthur | Department of Journalism | Josh Davis |
| 2027 – 2028 | New Cartographies: Remapping Discarded News | Kirk Crippens | School of Art | Lorena Molina |
| 2027 – 2028 | Comics as a Language: Exploring the Intersection of Comics and Linguistics | Xiomara Guevara | School of Liberal Studies | Nick Sousanis |
| 2027 – 2028 | English Speakers’ Comprehension of French Onomatopoeia | Vindrew Sanderfer | Department of English | Anastasia Smirnova |
| 2025 – 2026 | Adaptive Solutions: Expanding Function for TiLite Wheelchairs | David Ausman | School of Design | Fernando Felicio Dos Santos De Carvalho |
| 2025 – 2026 | Comics as a Vehicle for Cultural Identity | Marcelo Cabiya-Scheker | School of Liberal Studies | Nick Sousanis |
| 2025 – 2026 | The Lifelong Labor of Latina/x Women in the Bay Area | Braelyn Furse | Department of Journalism | Josh Davis |
| 2025 – 2026 | Women Matter: The Impact of Women’s Participation on Post-Transition Democratic Stability | Juliet Kaufman | Department of Political Science | Amanda Roberti |
| 2025 – 2026 | Design of a Pressure Sensitive Electric Skateboard for Enhanced Safety, Control, and Accessibility | Kailen Swisher | School of Design | Silvan Linn |
| 2025 – 2026 | Getting Adults to Read More: A Human Computer Interaction Investigation | Babette Wagener | Department of English | Anastasia Smirnova |
| 2024 – 2025 | Understanding Workplace Gamification Through Video Games | Sumayah Ahmed | Department of Comparative and World Literature | Christopher Weinberger |
| 2024 – 2025 | Revisiting The Tenderloin Times: A Journalistic Analysis of a Community’s Voice Replaced by Modern-day Media | Camila Dominguez | Department of Journalism | Laura Moorhead & Josh Davis |
| 2024 – 2025 | At Home | Aubrey Pandori | Department of Cinema | Rosa Park |
| 2024 – 2025 | The Influence of Female Leadership in the Iroquois Tribe on Elizabeth Cady Stanton and Women’s Suffrage in the 1800s | Maria Rubio-Ruiz | Department of Women & Gender Studies | Leslie Quintanilla |
| 2024 – 2025 | The BioShower: A Portable Hygiene Station for those with Limited Access to Clean Water | Jacob Sutton | Department of Design | Fernando Felicio Dos Santos De Carvalho |
| 2024 – 2025 | From Ink to Resistance: Batek and the Enduring Legacy amidst the United States Empire | Kesiah Mae Zabala | Department of History | Laura Lisy-Wagner |
| 2023 – 2024 | Queer Innovation: Use of English Loanwords Among Young LGBT+ Dutch Speakers | Ava Austin | Department of English Language and Literature | Teresa Pratt |
| 2023 – 2024 | Le triomphe des opprimés (The Triumph of the Oppressed): Analysis and Translation of American-Creole Narrative Identity in L’Union and La Tribune de la Nouvelle-Orléans, Louisiana’s Oldest Civil-War Era Afro-Creole Newspapers (in French) | Laine Barriga | Department of Humanities and Comparative World Literature | Persis Karim |
| 2023 – 2024 | The Christian Conservative Supreme Court: An Analysis of the Roberts Court’s Religious Liberty | Eleanor Boone | Department of Political Science | Amanda Roberti |
| 2023 – 2024 | Labor Unions: Political Determinants of Unionization Trends in Journalism | Gabriela Calvillo Alvarez | Department of Political Science | Whitney Taylor |
| 2023 – 2024 | What Can Comics Be? An investigation into the potential forms and affordances of comics | Ashley Nortman | School of Liberal Studies | Nick Sousanis |
| 2023 – 2024 | Carrying the Pandemic: An Experimental Poem About Essential Workers and Hyperobjects | Andrew Pimentel | Department of Creative Writing | Andrew Joron |
| 2023 – 2024 | Vietnamese Rock & Soul | Tam Vu | Department of Journalism | Josh Davis |
| 2022 – 2023 | Developing Postmodern Feminism via Transliteration of Kawakami Mieko’s "Breast and Eggs": The Transculturation of Anglophone and Japanese Feminist Rhetoric | Breanna Barton-Shaw | Department of Comparative & World Literatures | Chris Weinberger |
| 2022 – 2023 | Blackbook Stories: Visual Scripts and Community Narratives within San Francisco Graffiti Subcultures | José Hernandez | School of Design | Ellen Christensen |
| 2022 – 2023 | Learning to Read Petrarch: A Diary Study on Language Learning in Diverse Learning Environments | Gabriella Melton | Department of English Language and Literature | Maricel Santos |
| 2022 – 2023 | Democratic Queer Theory: Extending LGBTQ+ Civil & Social Rights Globally | Ki Singh | Department of Political Science | Amanda Roberti |
| 2022 – 2023 | Examining Direct-To-Consumer Advertising and Health Culture Through the Lens of Presidio Archaeology | RJ Stevens | Department of Anthropology | Meredith Reifschneider |
| 2022 – 2023 | Remixing Philosophy: A series of videos applying ancient ideas to modern times | Alexander Vahied | School of Cinema, Department of Philosophy | Kimbrough Moore |
| 2022 – 2023 | Gerrymandering and Voter Disenfranchisement - How District Lines are Used to Suppress the Vote and How We Might Fix It | Gillian Welcher | Department of Political Science | Rebecca Eissler |
| 2021 – 2022 | The Latin American Landscape: Identity and Ancestry in the works of Regina José Galindo, Ana Mendieta, Delilah Montoya and Aline Motta | Quitéria Conte | School of Art | Professor Santhi Kavuri-Bauer |
| 2021 – 2022 | Brimful World: An Avaricious Humanity is Destroying a Helpless Planet | Alexis Doukakis | School of Cinema | Assistant Professor Rosa Park |
| 2021 – 2022 | Through the Wire: Negotiating Identity through History, Cinema, and the Japanese American Incarceration Experience | Kevin Kodama | School of Cinema | Assistant Professor Mayuran Tiruchelvam |
| 2021 – 2022 | The Metamorphosis of The Gender Non-Conforming | Carlos Osoria | Department of Comparative & World Literature | Assistant Professor Leslie Quintanilla |
| 2021 – 2022 | Latinx Waves in K-pop | Giselle Peralta | Department of Anthropology | Associate Professor Dawn-Elissa Fischer |
| 2021 – 2022 | Inside-Out: Literature’s Bearing on the Political Identity of Taiwan And How We Are to Understand It | Samantha Reinard | Department of Comparative & World Literature | Associate Professor Chris Weinberger |
| 2020 – 2021 | A Price on Pride: Understanding the Commoditization of the Queer Identity in San Francisco | Maximilian DeNembo | School of Design | Hsiao-Yun Chu |
| 2020 – 2021 | Defining Rurality: An Exploration of the Rural-Urban Connection in Different Parts of the United States | Fiona DeWitt | Political Science Department | Rebecca Eissler |
| 2020 – 2021 | Explorations of Gesticulation-Based Upper Limb Appliances | Levi Gilbert | School of Design | Silvan Linn |
| 2020 – 2021 | Everyday HEROs: Public Health Research during COVID-19 Shelter-in-Place | Gurjot Gill | Anthropology Department | Peter Biella |
| 2020 – 2021 | Objectivity and Epistemic Commitment: Polanyi’s Critique of Reductionism | Aydin Jang | Philosophy Department | Arezoo Islami |
| 2020 – 2021 | Korean American Cinema (1990s – Present): Confronting History and Myths in the Diaspora | B. Kim | School of Cinema | Scott Boswell |
| 2020 – 2021 | Attainability of Official CSU Intended Outcomes: A Student Experience-Based Study | Ysenia Martinez | School of Design | Tara Lockhart |
| 2020 – 2021 | Decline of the Latino Media in the San Francisco Bay Area | Adriana Morga Oregel | Journalism Department | Laura Moorhead |
| 2020 – 2021 | The Semiotics of Power: Linguistic Structures of Neoliberal Hegemony | Mikey Pagan | School of Humanities and Liberal Studies | Teresa Pratt |
| 2019 – 2020 | Battles, Bridges and Books: The Pursuit of Higher Education After Military Service | Janelle Scarritt | Martha Lincoln | |
| 2019 – 2020 | Development of a Hybrid Motorcycle Conversion Kit to Reduce Pollution in Low-Income Urban Areas | Anucha (Poh) Maga | Silvan Linn | |
| 2019 – 2020 | Does State of Residence Influence Concerns about Economic Inequity | Hannah Galindo | Ronald Hayduk | |
| 2019 – 2020 | Embodiment in XR: Using Research through Design Techniques in VR to Explore New Approaches to Attention, Interaction Rituals and Spatial Metaphors | Crystal Candalla | Joshua McVeigh-Schultz | |
| 2019 – 2020 | Gender’s Corporeality: Deconstructing Trans-Boundaries in Cinema | Lindhan Le | Elizabeth Ramirez-Soto | |
| 2019 – 2020 | Ireland and the Rise of Left-Wing Nationalism | Mikayla Cordero | Amy Skonieczny | |
| 2019 – 2020 | Potential Wilderness | Duriel Meisner | Sean McFarland | |
| 2019 – 2020 | Social Media Usage and Political Behavior: Understanding How Situational Context Impacts Participation | Jorge Urroz | Francis Neely | |
| 2019 – 2020 | The Construct of Love and Sexuality in 17th-Century Japan | Kayla Ratliff | Laura Lisy-Wagner | |
| 2019 – 2020 | The Value of Life | Jamila Hayes | Celine Parreñas Shimizu |